Renderings from the latest production 3d model showing the standard 36 string resonator and the upcoming addition of the 14 string Resonator "Lite"
The Resonator draws its inspiration from the sympathetic resonance strings of a sitar, but opens up the possibilities by taking in any audio source.
In contrast to a sitar where the sympathetic resonance is powered by plucked strings, the Resonator is driven by external audio. A feature of this is the custom designed driver bridge. This works much like a speaker, but pushes guitar strings rather than air to make sound. Guitar pickups then send out the resulting vibrations as a new audio signal that can be used on its own or mixed back with the original sound.
I am passionate about music and have played various instruments for over twenty years. Back in 2011 while experimenting with slinky spring reverbs I began to wonder if it would be possible to make a reverb out of guitar strings. As I built some early prototypes I realised I would need more strings, but the more strings I added, the more power required. As such, many tactile transducers were harmed in the making!
After the first iterations it became clear that no off the shelf components would suffice. This then lead me deep into the world of magnets, copper coils and speaker design principals. By 2018 I had a Resonator that worked well enough to use in recordings but the set up meant it was essentially stuck in the recording studio.
I have continued to refine the Resonator, with successive prototypes that incrementally improved the power, tone and ease of use. As the design challenges have become more technical I have drawn upon precise production methods like CNC machining and 3D printing to refine the manufacturing process.
Main Construction: Plywood core with hardwood top layer, headstock and frame stabilised with two truss rods.
Parts: Wittner fine tuners, piano tuning pins and felt, noiseless Lace Alumitone pickups
Bridges/tailpieces: Custom designed Laser cut, polished and folded Stainless steel
Driver Bridge: Machined and anodised aluminium
Key Selector: Machined Nylon and etched stainless steel dial
Dimensions : 1120mm X 280mm X 120mm,
Weight: Approx. 12kg
Coarse Tuning Pins: Piano tuning pins
Tensioning Bridge: Maintains consistent downwards tension as the strings go back to the tuning pins
Driver bridge: The star of the show, responsible shaking the strings with the audio signal
Key Selector: Mutes out notes that are not in the selected key signature to limit dissonant resonance
Pickups: Custom hand wound noiseless sidewinder pickups.
Bridge Assembly. Contains a foot controlled felt mute bar, and adjustable buzz bridge and a stainless steel tensioner bar.
Fine Tuners: Witner Cello and Viola fine tuners repurposed to allow fine control over 36 strings in a small space
The driver bridge consists of a copper coil wound around an aluminium bobbin which is fixed to the bridge that clamps onto the strings. This gives the bridge some room to vibrate up and down, and allows for the coil to be aligned to the powerful magnets which are fixed to the instrument body. When the audio signal is amplified through the coils they push and pull against the magnets just like a speaker. The coils are rated to 50w RMS @ 4ohws per side. The coils are potted with specialized high temperature epoxy that enables them to operate at up to 180 degrees Celsius for extended periods of time although they are only warm to the touch under normal operating conditions.
The key selector relies on a handy aspect of the cycle of 5ths. As you go around the circle, each next key signature has only one note that is different from the adjacent key signature. As the dial is rotated between each position, one string is muted and one string is released so that any key signature can be achieved. The whole mechanism can be disengaged if the chaos of all 36 chromatically tuned strings is desired.
The hand carved buzz bridge is made with a curve that is drawn from the bridge of a sitar. This is designed to interrupt the perfect oscillations of the string and trigger higher overtones for a rich and more complex sound. The buzz bridge sits on an aluminium plate with 3 screws that adjsut the height and tilt of the bridge to control tone and buzz characteristics.
The Red strip in-between the buzz bridge and the pickup is a felt pad which is controlled by a foot pedal that connects to the resonator body underneath via a bike brake cable. Pushing the pedal raises the felt and mutes the strings.
Our cutom made sidewinder pikcups uses two out of phase coils to cancel noise with strong cermaic magnets on the outside and steel blade through the middle that focusses the magnetic field onto the strings. The resulting sound is a very low noise with a strong output volume and a wide frequency response made up of clear high end detail, a warm mid section and plenty of low frequency energy.
Sympathetic resonance is a physics principal that core to how the Resonator functions. It is the same principal that drives the behaviour of a skipping rope.
If you shake a rope up and down too slowly or quickly nothing much happens. However, when you get the frequency right all of a sudden the middle of the rope is moving much more than the end that you are holding. This is because you have hit the 'fundamental frequency'. If you want it to skip faster (or increase the fundamental frequency) then you need to pull the rope tighter to add more tension, like tuning a guitar string to a higher note.
We respectfully acknowledge the Traditional Owners of the land on which we work and live, the Wurundjeri Woi-wurrung and Bunurong / Boon Wurrung peoples of the Kulin Nation and pay our respect to their Elders past and present